{"id":4270,"date":"2025-05-17T08:34:00","date_gmt":"2025-05-17T08:34:00","guid":{"rendered":"https:\/\/esterevadamen.nl\/?p=4270"},"modified":"2025-06-01T19:49:29","modified_gmt":"2025-06-01T19:49:29","slug":"may-17-2025-goska-isphording","status":"publish","type":"post","link":"https:\/\/esterevadamen.nl\/?p=4270","title":{"rendered":"May 17, 2025 &#8211; Go\u015bka Isphording"},"content":{"rendered":"\n<p>Soon Go\u015bka Isphording will be playing four solo pieces for Harpsichord in Poland. These days we worked on the piece &#8216;<strong><em>howto jou\u00efssance<\/em><\/strong>&#8216; by composer Nina Fukuoka where life action is involved as well as video. Quite a challenge for a performer on stage. We worked on the body language of the more theatrical leads in this piece of over 10min. Does the face remain neutral? Is it allowed to be funny? Is there a rapport with the audience? <\/p>\n\n\n\n<p><a href=\"https:\/\/www.nfm.wroclaw.pl\/en\/component\/nfmcalendar\/event\/12129\">https:\/\/www.nfm.wroclaw.pl\/en\/component\/nfmcalendar\/event\/12129<\/a><\/p>\n\n\n\n<p>Homo ludens \u2013 recital by Go\u015bka Isphording<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"12. Musica Electronica Nova \u2013 Obecno\u015b\u0107(i) \/\/ Pierre Jodlowski \u2013 wprowadzenie\" width=\"1778\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/8FpbD65LaXk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Nina Fukuoka\u2019s <em>howto jou\u00efssance<\/em> is an intensification of the experience of play that goes beyond ordinary pleasure. The pleasure Fukuoka speaks of is associated with risk, tension and even moments of suffering, which puts the concept of&nbsp; <em>homo ludens<\/em>&nbsp; in a new light \u2013 it appears here as a space of creative enthusiasm and existential reflection.<\/strong><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soon Go\u015bka Isphording will be playing four solo pieces for Harpsichord in Poland. These days we worked on the piece &#8216;howto jou\u00efssance&#8216; by composer Nina&hellip; <\/p>\n","protected":false},"author":1,"featured_media":4276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[69],"tags":[],"_links":{"self":[{"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/posts\/4270"}],"collection":[{"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4270"}],"version-history":[{"count":10,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/posts\/4270\/revisions"}],"predecessor-version":[{"id":4329,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/posts\/4270\/revisions\/4329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=\/wp\/v2\/media\/4276"}],"wp:attachment":[{"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/esterevadamen.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}